While looking at the artistic timeline of Ivano-Frankivsk, one cannot ignore the phenomenon of the Impreza Biennale. The unique event, which took place in 1989, changed the rules of the game and laid the groundwork for the development of the cultural environment not only of the city but also of the whole region and country. The Impreza environment broke away from the Soviet discourse, censorship, and restrictions; it was a powerful artistic reaction to a world that was inevitably changing—it was only necessary to foster it a little, to record, comprehend this process and pass it on.
post impreza has developed on this ground. However, it has faced new questions:
And here we return to the meaning of words.
The very name ‘Impreza’ in various interpretations can mean ‘impression’ or ‘celebration’. In other words, post impreza is what happens to us and the whole city of Ivano-Frankivsk after the celebration ends and the everyday work begins.
The word ‘post’ can mean both denial of previous experience and a starting point based on it. We stand on the shoulders of the Impreza generation and want to hold on to this continuity, for the Ukrainian cultural process has too often lost ties between generations throughout its history, being forced to reinvent things that have already been discussed and discovered.
We look to the future only because we can stand on the shoulders of those who began to create this future earlier.
Since 1989, Ivano-Frankivsk has come a long way from a closed city to a city that has become a new home for artists from across the country. And they all leave their mark on the city and their impressions of it in their creative work.
post impreza becomes a bridge that allows us to move from the banks of our past to the banks where plans and perspectives come to life. This is just one of the points of this timeline, which is constantly ongoing in time. It is almost like a celebration: when one ends, it’s time to start preparing for the next one.
post impreza is a media that focuses on the local art and cultural life of the city of Ivano-Frankivsk and its region.
post impreza reflects and analyzes, introduces its readers to the works, processes, and personalities of the local cultural process. We write on topical issues and present retrospective texts that have been published before and that today allow us to better understand the conditions in which the cultural environment of Ivano-Frankivsk was formed.
We are interested in the continuity of the processes of local art history. We understand the impact of the Impreza Biennale on the cultural environment of the city and its region. However, we do not plan to limit ourselves to it. post impreza is an opportunity to re-evaluate and recalculate what happened after the Impreza.
We plan to identify and analyze how the art scene of the Ivano-Frankivsk region has changed and is changing through revolutions, waves of migration, and war.
post impreza aims to create a digital media archive that will preserve the legacy of the artistic environment and make its presentation easier.
She co-founded and launched a number of organizations: the NGO “Insha Osvita”, a space in the Carpathians called Khata-Maisternia, the Asortymentna Kimnata Gallery in Ivano-Frankivsk and the proto produkciia agency for production of educational and art projects. Born in the Donetsk region, she studied in Donetsk and Kaiserslautern, and lived and worked in Berlin. In 2017, she found her home in Ivano-Frankivsk.
In 2021, Karavai was an expert at the Ukrainian Cultural Foundation. She has been a lecturer at the Dnipropetrovsk Professional College of Arts and Culture since 2020, and since 2022, she has joined the Academic Council of Cultural Studies at the Ukrainian Catholic University. In 2022, she launched an art evacuation program and joined the Museum Crisis Center team.
Co-founder of the proto produkciia agency for production of educational and art projects, the NGO “Insha Osvita”, and the Khata-Maisternia space. Born in Crimea, she lived in Ivano-Frankivsk since 2014 and in 2018 moved to Kyiv.
Diatel is a producer in the field of performing arts (opera CHORNOBYLDORF, OPERA LINGUA). Since 2020, she has been a lecturer at the Dnipropetrovsk Professional College of Arts and Culture. She is also a coordinator of the Power Here project implemented with the support of the European Commission.
Born in Mykolaiv, she studied at the Lviv National Academy of Arts and the University of Arts of Poznan, majoring in art theory and history. She lives and works in Ivano-Frankivsk.
Since 2018, Potiomkina has been a curator of the Asortymentna Kimnata Gallery, where she has organized about 30 collective and individual exhibition projects. She is a curator and coordinator of a number of residency programs. In 2019-2021, she curated and produced an art program for the Detalization Electronic Music Festival in Ivano-Frankivsk. In 2021, she was a production manager of the Revisionist Syndrome art project.
Since the beginning of the full-scale war, Ania has coordinated the art evacuation program in Ukraine, the Working Room residency for displaced artists (curated by Lesia Khomenko), and the Body City art program for displaced adolescents (together with Olia Poliak and Maria Agisian).
During the launch of post impreza from 2022 to 2023, the organizational structure included a curatorial group consisting of Yevhen Samborsky, Nadiya Parfan, Viktoriya Myronyuk, Ostap Ukrainets, and Anatoly Zvizhinsky as an advisory body. At the launch stage of post impreza, media and cultural manager Yulia Kushnir was involved. From 2022 to 2025, the editor of post impreza was Olga Perekhrest, and the operations manager was Yevhen Boyko. The visual style and web design of post impreza was developed by Olga Zarko. The composition of the board has remained unchanged since 2022.
Born in Khmelnytskyi, but later settled in Ivano-Frankivsk. She received her philological and artistic education here. She studied in graduate school, where she studied literary theory. She is involved in graphic design and literature, and is the co-author of the book “Intonations.”
Фемактивістка, поетка, організаторка подій. Маю медичну освіту, але мріяла бути журналісткою. Сфери зацікавлень: фемінізм, література, зокрема поезія і загалом мистецтво. Авторка збірки поезій «Риби і птахи», співупорядниця альманаху феміністичної поезії «Другий вінок».Для мене post impreza — це своєрідна форма активізму: можливість писати на важливі теми та підсилювати видимість голосів.
Комунікаційниця, яка працює з мистецькими та освітніми проєктами. Поєдную ідентичності філологині, культурологині та активістки. Івано-Франківськ є для мене місцем спокою, куди час від часу приїжджаю з шумного Києва. Окрім мистецтва, цікавлюся літературою, фемінізмом та темою соціальної та особистої памʼяті.
